Few people write long short stories these days and one of the reasons may be that they are so hard to get published. Many quarterlies prefer to publish briefer stories to showcase more writers. And…
What I'm Reading
Book discussions with a focus on the writer's craft
Writers' Toolbox
Elements of craft discussed in this blog.
- Writing about a sibling relationship (3)
- Witholding information to create a magnetic character (2)
- Using an image to show what the character is feeling (2)
- Using the structures a character creates as a window into the character (2)
- Advance Preparation (2)
- Defining character through dialogue (2)
- Fictionalizing an historic figure (2)
- Preparing for an unexpected turn (2)
- Giving the reader more information than the protagonist has (1)
- Maintaining two narrative timelines (1)
- Making a character come alive through visual details (1)
- Rising action leading to a climactic scene (1)
- Retelling the Oedipus Myth in a gender-fluid and time-fluid story (1)
- Using a flat character to add momentum to a narrative (1)
- How extended dialogue can prepare for a moment of decision (1)
- Reinventing a well-known character (1)
- Using backstory to enhance the reader's empathy for a character (1)
- A story within a story (1)
- Developing character through visual transformation (1)
- Understanding the effects of using white space and the present tense (1)
- Creating an unmoving presence at the center of a novel (1)
- A novel with contradictory parts (1)
- Creating mystery in the first chapter (1)
- Grounding a Novel in Historical Events (1)
- Making use of the direct address form in a novel (1)
- Avoiding sensationalism in a novel about the abuse of boundaries (1)
- Preparing for the extraordinary by evoking the mundane (1)
- Staging a surprise ending (1)
- Planting a seed of disorder within each character to grow into a believable chaos (1)
- Creating a guide character (1)
- The long approach: Opening a novel with a sweeping introductory vision (1)
- Creating a shadowed life: the slow trickle of an unsettled past (1)
- Using an object to reveal and distinguish a character (1)
- Setting up a reversal (1)
- Using a first person voice to drive the narrative (1)
- Withholding the novel's intention (1)
- Using a small space to build tension between two characters (1)
- Hiding the narrative design (1)
- Using mystery to define the limits of a character's experience (1)
- Using objects to create time markers in a fluid timeline (1)
- The Ticking Clock: Using the calendar to escalate tension (1)
- Building a novel around a single theme (1)
- Achieving transparency in scene and dialogue to reveal emotional turmoil (1)
- Balancing a novel's emotional terrain through character (1)
- Using plot to create false assumptions about what will happen. (1)
- Connecting different characters through the unifying element of shared disorder (1)
- Developing a strong narrator presence through tone (1)
- Sustaining a core mystery (1)
- Changing the point of view to add emphasis (1)
- Setting a performance within a novel: what it can achieve (1)